Year ago I got pretty attached to Richard Avedon’s wonderful portraits. For some reason I got the impression that they were made in the studio and you got this beautiful light by careful arrangement of soft boxes:

Then I went to Arles and read there that he only used available light on location. Now, a classmate of mine, Niels, has been working on imitating this light. He tells me that you basically need the shadow of a tall building with the light coming from behind that building. And that’s it. You arrange your model there in the shadow, there will be plenty of light available, and you take the picture.
I must try this when I find the time.
I liked the exhibition at FOAM this spring but perhaps liked even more the one which was in Arles last summer – the colourful fashion photos with the skeletons in them.